A defining focus of Brigitta B. Horváth’s artistic practice is touch, the gestures of the hand, and the body as the primary site of human connection. In her work, jewellery and sculpture function as instruments of communication and self-reflection. The motif of the hand and the experience of touch explore the possibilities of exchange across cultures, identities, and interpersonal relationships. Her recent works place particular emphasis on the relationship between the body and time, presenting the ageing, changing body as a bearer of lived experience. Within this context, jewellery becomes a medium that makes the body's stories visible, redefining beauty through inner content, self-acceptance, and human presence.

The practices of the two artists intersect through their shared interest in visualising connection, perception, and inner experience. In Márta Kiss’ work, thread and embroidery become mediating elements; in Brigitta B. Horváth’s, touch and the gesture of the hand fulfil a similar role, directing attention towards relationships that extend beyond the visible world. Both artists render perceptible phenomena that cannot be directly seen: inner processes, layers of memory, human relationships, and the individual's connection to natural and cultural systems.

Their practices are further united by a shared openness towards self-exploration and by the search for visual languages capable of expressing inner states and layers of meaning that reach beyond personal experience. Both artists work with archetypal motifs, symbolic forms, and images of humanity's relationship with nature, opening individual experience towards broader human contexts.

The Invisible’s Visible Touch attempts to map a domain that is difficult to define - one in which body and nature, individual and collective memory, the visible and the invisible remain in continuous dialogue.