In his conceptual works, he places particular emphasis on the use of materials and the combined application of various base surfaces (e.g., vintage flour sacks, throat examination spatulas, vintage (1884) Parisian fashion magazine patterns, baking paper, vintage maps, etc.). Considering the specific physical and symbolic meanings of the source materials, the departure from two-dimensional works of art and the shift towards installations is a logical consequence.

The exhibition entitled The Limits of Forgetting consists of sovereign works in which the relationship between subjective time and forgetting is examined through visual elements, episodes or life situations, and station-like recollections. We identify with the memory effects presented in the exhibited works to the extent that we can find them in our own individual memories. It is not the physiological examination of forgetting that is important, but rather a subconscious personal reference, the experience of momentarily opening a memory box, so to speak. Fürjesi creates a distinctive visual and intellectual atmosphere: fragments of special life situations, moments with diverse meanings and different emotional effects.

Almost all of the narrative works can be interpreted in a deeper, broader context, whether ideological or intellectual. Beyond that, they sometimes project socially critical effects that parallel current global discourses. At the same time, the simultaneous presence of the works in the gallery spaces creates an atmosphere between fiction and reality. Fürjesi's works, which prompt self-analysis and self-examination, orient us to such an extent that we can compare the effects they produce in us with impressions from our own past that we can recall. In doing so, he brings out the best in it: he opens the door for new narratives to emerge between viewers and works, and invites us to accompany him on his journey through space and time.

Besides painting, photography and installations, Csaba Fürjesi is intensively engaged in graphic processes, the possibility of extending letterpress techniques and combinations of graphic techniques. He has been awarded several prizes for his "Multitypie" graphic process, including the Slavi Soucek Graphic and the Citè des Arts Paris Scholarship in 2020.