A few years ago, in 2018, I became interested in the artistic representation of flora and plant ornamentation. During my research to analyse plants, which are components that appear repeatedly in different periods of art history but convey very different meanings, I first studied still life compositions and then garden depictions. Later, I became familiar with textiles and tapestries that are themselves intended to depict the plant world and gardens and are closely related in meaning to depictions of Paradise.
My series of oil paintings entitled Urban Paradise is based on a reinterpretation of depictions of the Garden of Eden found in various religions and cultures. This sacred place, like the visual arts themselves, represents a point of contact, as religions preaching different doctrines describe Paradise in similar terms, imagining it almost identically, most often identifying it with a lush garden. Perhaps it is human nature, or the result of evolution, that we cling to lush, safety-promising plant communities, which we idealize and recreate, in some cases in the form of a painting. Presenting this process through painting offers an opportunity to showcase contemporary plant ornamentation, but also to express personal convictions and different points of view: what does Paradise mean here and now?
In 2019, the lockdown caused by the Covid pandemic reinforced the importance of home and the pursuit of harmony and beauty in this intimate space. We decorate our homes with plants and flowers, wanting to surround ourselves with a paradisiacal atmosphere, thus creating oases that evoke the illusion of nature within the built environment. I find it extremely interesting that while plants have surrounded us in unchanged form for millennia, we humans have sought to distort their original form, tying them into bouquets and pruning them to suit our ideas, according to the current state of our relationship with them. The increased interest in plant care and the use of plants as decorative elements in interior design, textiles, and wallpaper is gaining greater emphasis today. We increasingly want to bring nature into our homes and create it in our living spaces and interiors. This accelerated process inspires my oil paintings, which aim to evoke the "first garden," Paradise. I am preoccupied with the question of what this elusive, fictional place that we create in our homes looks like today. I strive to create compositions that could even be decorations in a modern apartment, but here only the plants are alive, the animals appear as motifs on tablecloths and rugs, while humans do not appear at all, or only in the form of porcelain figurines.
Kata Koleszár
Opening
- 6:00 pm
- The Space
The exhibition will be opened by Kata Koleszár, exhibiting artist and Linda Bérczi, gallerist.
Artist talk
- 6:00 pm
- The Space
Kata Koleszár (1988) focuses on the question: “What does Paradise mean here and now?” Adrienn Csepelyi, Junior Prima Award-winning journalist, writer, and host of the Popfilter podcast, talks to her at The Space about her work to date and her plans for the future in connection with her exhibition Urban Paradise.
Garden of Eden workshop with Eszter Kass and Kata Koleszár
- 4:00 pm
- The Space
The main visual element and inspiration for our work will be vegetation. We will also explore the perspective of leaves with varied shapes and patterns, winding vines, and houseplants in Kata's works. We will learn about the relevant chapter in color theory. Our technique will be tempera and acrylic painting.
“I've been lying my whole life” – Exhibition recommendations for mid-summer


























